Categories
Personal Reflections

The ultimate stay-awake playlist

My sleep cycle has been massively screwed for the past few days. I sleep after having breakfast in the morning at 7am, then wake up around 4pm-ish…and eat an early dinner at 7pm. It doesn’t help that both my roommates – who are on exchange here from Scotland – are also locked on to British Standard Time for their daily routines. (One of them is ‘legally’ squatting in our room. There’s even an official application form here, in case you want to squat in a friend’s room.)

This screwed up schedule started off when I started on a project right now, on research into speech recognition technologies. I have a germ of an idea right now that I’m working on but I need to research deeper into speech recognition and linguistics. It will definitely need time to work on – probably many months.

Anyway, staying awake when everything else is so quiet is quite a task! I can’t get any coffee so I need to keep myself awake with music. And no band is better at stay-awake music than Linkin Park. When you’re dropping dead out of exhaustion at 3.38am nothing perks up your concentration as listening to Faint does. (You need to watch the music video than just listen to the song for full effect.) Seriously, the energy in that song is insane.

I also discovered recently that for reasons yet unknown the copy of Meteora that I had on my hard disk was missing two of the best tracks in the album – Figure.09 and Nobody’s Listening.

A lot of mockery directed at Linkin Park for their first few albums has hinged around their ‘screamo rock’ style. And yet I see a number of friends who turned up their noses earlier at Linkin Park now “wishing for the old Linkin Park back” after Minutes To Midnight and A Thousand Suns. Much like the backlash Inception is facing after it became a blockbuster, Linkin Park became a ‘guilty pleasure’ for the same people who enjoyed their initial style.

Ironically now that Linkin Park has, you could say in a sense, heard the feedback and branched into a new direction making politically-loaded albums like A Thousand Suns you see more clamouring for them to go back to what they were! Unlike their albums so far that contained hit singles that could stand alone, A Thousand Suns works best when you here it in its entirety. In world where single-track downloads through iTunes is shaping the future of the music industry, it’s not hard to understand why many people “don’t like how LP sounds now”. It’s no longer about ‘the sound’, it’s about ‘the experience’.

I confess that when I first heard The Catalyst – premiering in the Medal of Honor trailer – I hated it. Over a period of replays and finally getting to hear the album in its entirety after it was released, I can say that as an album this is the best work Linkin Park has ever done. Vivek has written a better review of A Thousand Suns than I could ever have written, so if you fancy a review then check out his review.

And when I was watching the Faint music video for the n-th time tonight (tomorning?) trying to stay awake, it struck me how different it was from the music video for, say, The Catalyst.

Will a Linkin Park concert with their new songs be as frenetic? I’d sure love to attend one to find out! If only they go on tour and include Singapore as a leg – like Iron Maiden is, in the coming months.

What’s your favourite ‘stay-awake’ song / playlist?

Categories
Reviews

The Social Network

MARK ZUCKERBERG is on a DATE. He is also a NERD, as demonstrated by the universal Hollywood mechanism of marking out smart people by making them speak their dialogue too fast.

GIRL: So, which is the easiest Final Club to join?

ZUCK: Bitch farm animals SCART lead order a burger!

GIRL: That’s it, I’m leaving you. I don’t care how good you are setting up the DVD player!

****
ITAR-TASS: MOSCOW, RUSSIA. OCTOBER 28, 2010. Actors Jesse Eisenberg (L) and Andrew Garfield star in Columbia Pictures' The Social Network movie directed by David Fincher (Fight Club). The film is about the legal battles of Mark Zuckerberg and the founding of Facebook. (Photo ITAR-TASS/ Sony Pictures press service) Photo via Newscom

MARK ZUCKERBERG is hiring interns for DA FACEBUK. His co-founder EDUARDO SAVERIN walks into the computer lab where a competition seems to be going on. He asks a BRILLIANT QUESTION.

SAVERIN: What’s going on here?

ZUCK: Python intern competition MySQL teddy bear collection!

SAVERIN: But why are they drinking?

ZUCK: Hacking Linkin Park pop-up window tequila shot!

SAVERIN: Impressive!

DA FACEBUK adds more programmers to its team and TAKES OVER THE WORLD.

 

****

AARON SORKIN, Luddite-extraordinaire (“I figured a good first step in my preparation would be finding out what Facebook is…” – you figured?!) and the screenplay writer for The Social Network is busy at work. He is conversing with a MINION who advises on ‘technology-stuff’ for the screenplay.

SORKIN: Okay Minion, you see this scene here? It needs more computer?

MINION: More…computer?

SORKIN: Yes! Like, hacking and stuff. Can we make Zuckerberg hack into the Pentagon?

MINION: I’m pretty sure he didn’t do that…

SORKIN: Dangnamit!

MINION: …but we could make him say he needs ‘an Apache server with a MySQL back-end’ to run the Facebook…

SORKIN: DO IT!

At the end of a long day at work, MINION feels miserable. Working for a person who wants him to write about ‘More computer’ is mind-numbingly menial, but it pays the bills. A smile creeps across MINION’s face as he remembers the joke he snuck into the script – making Zuckerberg use Emacs instead of vi! He probably used Vi though, MINION muses.

****

Watching paint dry is a fascinating exercise. There’s something of an ethereal quality in what’s happening, as you sit with rapt attention – and look there, out of the corner of your eye, that little bubble just dried up! Ooh! Slightly less fascinating though is watching David Fincher’s latest inevitably destined for blockbuster success film, The Social Network.

Maybe I am being harsh. The script doesn’t use pseudo-technobabble like, say, Swordfish did; the few scenes where programming is shown are very accurate. But the intention is just the same – borne out of a need to establish that there’s a ‘computer hacker’ in the room. Sheryl Sandberg (current COO of Facebook) admits, without the liberties the film took, it would be two hours of Jesse Eisenberg “sitting around with his friends in front of his computer, ordering pizza”. While nobody wants to see that, the film spectacularly accomplishes being boring and condescending at the same time – much like the portrayal of Mark Zuckerberg in it.

Look, I’m not getting into a debate on whether Mark Zuckerberg stole ideas or swindled people. Regardless of what he did the film is, ultimately, boring. The only reason why anyone would stick around till the end is because this is Facebook we’re talking about. Were this about any other major web or technology company, nobody would be interested. Fair enough, no other major company has touched people’s lives in such a visible way. Still doesn’t make the film any less boring.

ITAR-TASS: MOSCOW, RUSSIA. OCTOBER 28, 2010. Actor Jesse Eisenberg in a still from The Social Network movie directed by David Fincher (Fight Club). The film is about the legal battles of Mark Zuckerberg and the founding of Facebook. (Photo ITAR-TASS/ Sony Pictures press service) Photo via Newscom
Everyone in this picture looks bored!

The basic story of how Facebook started off seems to be more or less true. The only changes that seem to have been made is liven up the few interesting characters available –  giving Sean Parker more of a playboy vibe, portraying Eduardo Saverin as a martyr, and making Mark Zuckerberg appear more of a jerk than he probably is in real life. The changes are forgiveable and necessary to move the plot forward. What really grates though is how everyone in the film tries to speak in punchlines rather than normal human beings. “You know what’s better than a million dollars? A billion dollars!” “You’re not an asshole. You’re just trying too hard to be one!” “A chicken crossed the road. To get to the other side!” Etcetera.

I was impressed with Jesse Eisenberg’s performance. I was apprehensive when I heard a relative unknown was cast in the role, as I consider Michael Cera to have a monopoly on the nerd movie market. Eisenberg does a great job of acting out the character he’s given though! As for the soundtrack – by Trent Reznor and Atticus Ross – it’s very meh. You can download a five-track EP sampler of The Social Network soundtrack for free from the Nine Inch Nails’ Null Corp website.

This probably won’t be able to dissuade people from watching this movie as this is one that every user of Facebook will be curious to watch, and it’s not meant to. For me, the high-point of The Social Network ended with the Scala & Kolacny Brothers trailer.

My rating of The Social Network: 2 / 5

****

In case you’re wondering where the ‘forgotten co-founder’ of Facebook is these days: apparently, Eduardo Saverin is living in Singapore now! (Where he’s a regular at The Butter Factory. I’ve been to The Butter Factory a few times – nice hangout. Bills itself as one of the “coolest places in the city” and takes this statement too seriously by pumping jets of dry ice through the air-conditioning. I swear!) Less than six (geographical) degrees of separation?