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The Social Network

MARK ZUCKERBERG is on a DATE. He is also a NERD, as demonstrated by the universal Hollywood mechanism of marking out smart people by making them speak their dialogue too fast.

GIRL: So, which is the easiest Final Club to join?

ZUCK: Bitch farm animals SCART lead order a burger!

GIRL: That’s it, I’m leaving you. I don’t care how good you are setting up the DVD player!

****
ITAR-TASS: MOSCOW, RUSSIA. OCTOBER 28, 2010. Actors Jesse Eisenberg (L) and Andrew Garfield star in Columbia Pictures' The Social Network movie directed by David Fincher (Fight Club). The film is about the legal battles of Mark Zuckerberg and the founding of Facebook. (Photo ITAR-TASS/ Sony Pictures press service) Photo via Newscom

MARK ZUCKERBERG is hiring interns for DA FACEBUK. His co-founder EDUARDO SAVERIN walks into the computer lab where a competition seems to be going on. He asks a BRILLIANT QUESTION.

SAVERIN: What’s going on here?

ZUCK: Python intern competition MySQL teddy bear collection!

SAVERIN: But why are they drinking?

ZUCK: Hacking Linkin Park pop-up window tequila shot!

SAVERIN: Impressive!

DA FACEBUK adds more programmers to its team and TAKES OVER THE WORLD.

 

****

AARON SORKIN, Luddite-extraordinaire (“I figured a good first step in my preparation would be finding out what Facebook is…” – you figured?!) and the screenplay writer for The Social Network is busy at work. He is conversing with a MINION who advises on ‘technology-stuff’ for the screenplay.

SORKIN: Okay Minion, you see this scene here? It needs more computer?

MINION: More…computer?

SORKIN: Yes! Like, hacking and stuff. Can we make Zuckerberg hack into the Pentagon?

MINION: I’m pretty sure he didn’t do that…

SORKIN: Dangnamit!

MINION: …but we could make him say he needs ‘an Apache server with a MySQL back-end’ to run the Facebook…

SORKIN: DO IT!

At the end of a long day at work, MINION feels miserable. Working for a person who wants him to write about ‘More computer’ is mind-numbingly menial, but it pays the bills. A smile creeps across MINION’s face as he remembers the joke he snuck into the script – making Zuckerberg use Emacs instead of vi! He probably used Vi though, MINION muses.

****

Watching paint dry is a fascinating exercise. There’s something of an ethereal quality in what’s happening, as you sit with rapt attention – and look there, out of the corner of your eye, that little bubble just dried up! Ooh! Slightly less fascinating though is watching David Fincher’s latest inevitably destined for blockbuster success film, The Social Network.

Maybe I am being harsh. The script doesn’t use pseudo-technobabble like, say, Swordfish did; the few scenes where programming is shown are very accurate. But the intention is just the same – borne out of a need to establish that there’s a ‘computer hacker’ in the room. Sheryl Sandberg (current COO of Facebook) admits, without the liberties the film took, it would be two hours of Jesse Eisenberg “sitting around with his friends in front of his computer, ordering pizza”. While nobody wants to see that, the film spectacularly accomplishes being boring and condescending at the same time – much like the portrayal of Mark Zuckerberg in it.

Look, I’m not getting into a debate on whether Mark Zuckerberg stole ideas or swindled people. Regardless of what he did the film is, ultimately, boring. The only reason why anyone would stick around till the end is because this is Facebook we’re talking about. Were this about any other major web or technology company, nobody would be interested. Fair enough, no other major company has touched people’s lives in such a visible way. Still doesn’t make the film any less boring.

ITAR-TASS: MOSCOW, RUSSIA. OCTOBER 28, 2010. Actor Jesse Eisenberg in a still from The Social Network movie directed by David Fincher (Fight Club). The film is about the legal battles of Mark Zuckerberg and the founding of Facebook. (Photo ITAR-TASS/ Sony Pictures press service) Photo via Newscom
Everyone in this picture looks bored!

The basic story of how Facebook started off seems to be more or less true. The only changes that seem to have been made is liven up the few interesting characters available –  giving Sean Parker more of a playboy vibe, portraying Eduardo Saverin as a martyr, and making Mark Zuckerberg appear more of a jerk than he probably is in real life. The changes are forgiveable and necessary to move the plot forward. What really grates though is how everyone in the film tries to speak in punchlines rather than normal human beings. “You know what’s better than a million dollars? A billion dollars!” “You’re not an asshole. You’re just trying too hard to be one!” “A chicken crossed the road. To get to the other side!” Etcetera.

I was impressed with Jesse Eisenberg’s performance. I was apprehensive when I heard a relative unknown was cast in the role, as I consider Michael Cera to have a monopoly on the nerd movie market. Eisenberg does a great job of acting out the character he’s given though! As for the soundtrack – by Trent Reznor and Atticus Ross – it’s very meh. You can download a five-track EP sampler of The Social Network soundtrack for free from the Nine Inch Nails’ Null Corp website.

This probably won’t be able to dissuade people from watching this movie as this is one that every user of Facebook will be curious to watch, and it’s not meant to. For me, the high-point of The Social Network ended with the Scala & Kolacny Brothers trailer.

My rating of The Social Network: 2 / 5

****

In case you’re wondering where the ‘forgotten co-founder’ of Facebook is these days: apparently, Eduardo Saverin is living in Singapore now! (Where he’s a regular at The Butter Factory. I’ve been to The Butter Factory a few times – nice hangout. Bills itself as one of the “coolest places in the city” and takes this statement too seriously by pumping jets of dry ice through the air-conditioning. I swear!) Less than six (geographical) degrees of separation?

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What I’ve Been Listening To: ‘A French Kiss In The Chaos’, Scala & Kolacny Brothers, Michelle Branch, Tiffany Page, ‘The Catalyst’

Sharing some of the music I’ve been listening to / discovered lately here. Also, I simply despise iTunes and its lack of a ‘back’ button in its interface for going back to a previous view. Have to live with it these days though because nothing else syncs properly with my fifth generation iPod Nano. [gnashes teeth]

(More on how I am using – shock and horror – iPod and iTunes later.)

I miss you and your endless music library, Spotify. Your interruptions too, ‘Roberta from Spotify‘.

****

Reverend and The Makers

A French Kiss In The Chaos

I have been a fan of Reverend and The Makers ever since this indie band performed at our university as part of the HP-sponsored Listen2U concert tour. Fans of Arctic Monkeys and  Oasis among you may have heard of them, as these bands have collaborated on gigs. Open Your Window and Heavyweight Champions of the World from their first album The State Of Things crop up high on my favourites playlist.

Photo credit: John Kent

(Reverend and The Makers keyboardist Laura Manuel also has a slightly pervy-sounding following among Reverend fans going by the name of LaMAS – the Laura Manuel Appreciation Society.)

A French Kiss In The Chaos is the band’s second album, released last year. The album opens with a bang with the deliciously psychedelic-sounding Silence Is Talking and Professor Pickles. I didn’t particularly like No Soap (In A Dirty War) that seems to be one of the more popular songs in this album. Hard Time For Dreamers provides a strong finish to the album. (It’s in this track you’ll come across ‘a French kiss in the chaos’.) Overall the band sticks to its indie rock/funk roots with a few folksy touches here and there.

Rating: 3.5 / 5

****

Photo credit: Scala

Scala & Kolacny Brothers

Scala is a Belgian girl choir with conduction / piano by the Kolacny Brothers (Steven and Stijn). They’ve been shot into the limelight recently when their cover of Radiohead‘s Creep was featured in the trailer for The Social Network – a movie about the origins of Facebook – directed by David Fincher (the guy behind Fight Club and Se7en).

What makes Scala & Kolacny Brothersso fucking special” is the ethereal quality their covers have. The last thing you would associate with a choir is swearing!

****


Michelle Branch

Hotel Paper and Everything Comes and Goes

I first came across Michelle Branch when I heard Getaway, a pop/R&B collaboration with Timbaland with Branch providing most of the vocals. (She has previously collaborated with Carlos Santana and Sheryl Crow.) And I loved the voice! I dove further into her discography and found her 2003 album Hotel Paper. I’m seven years too late, but I’m glad that I discovered this nonetheless. Hotel Paper is a curious mix pop rock with country music that is quite unique in itself.

She hasn’t released any full albums for a while, but did release an EP this year titled Everything Comes and Goes recently. There’s an upcoming album Different Kind of Country. I’ll be looking forward to it!

****

Tiffany Page

Being ‘seven years too late’ to Michelle Branch’s Hotel Paper album reminds me of Tiffany Page, an upcoming English rock artist who also has a single called Seven Years Too Late (not one that I like). She isn’t that well-known right now (when she performed at our university, only ten people or so turned up) but is slowly gaining some attention with gigs at places like iTunes Festival.

Just like Michelle Branch, Tiffany Page’s songs lay stress on vocals – she’s got a sweet deep voice that is unlike most other female vocalists. She has experimented too; for instance, this acoustic cover of Muse‘s Supermassive Black Hole that I prefer for its better vocals than the original. Check out her singles Walk Away Slow, I Am The Blaze and On Your Head.

****

Linkin Park will be coming out with their new album A Thousand Suns soon, and have released a single The Catalyst by featuring in Medal of Honor’s trailer. When I first heard the song my immediate reaction what that I absolutely hated it. The Catalyst sounded indistinguishable from any uninspired electronica remix of a generic Linkin Park / Chester Bennington screaming song. The beats are so catchy though that after many replays now, I’ve actually come to like the song.

What have you been listening to recently – any new discoveries? And if you listened to any of the artists above, what’s your verdict?